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25 Adar I 5763 - February 27, 2003 | Mordecai Plaut, director Published Weekly
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Moriah
scooped up from a creative writer's gathering, an imagination- packed bus ride with Rechy Neiman

The first seats of the bus were full, but a fellow who was sitting alone on one of the double rows of facing seats that come right after the first seats saw me as I got on and made himself scarce, disappearing quickly somewhere towards the back. I felt my usual mixture of relief and consternation. On the one hand, I really needed to sit down fast, but on the other hand, I'm not that old -- two months short of fifty-seven. I think maybe wearing a tichel makes me look older.

Two stops later, another lady sat down on the aisle seat besides me. She seemed to be about ten years younger than I, simply but not poorly dressed, with a sort of efficient, though not super-efficient look about her, but wearing a short, curly brown sheitel that seemed a bit frivolous for the kind of person I'd typed her to be. I noted approvingly her thrift and lack of ostentation, while at the same time envying her air of quiet competence.

What kind of a sheitel would be more suited to your idea of her personality? I asked myself. An iron-gray bun, held in place with an old fashioned net, perhaps, like Mrs. Marple? No. That would be far too severe, too old, too school-marmish, and too old- fashioned. A Lady Clairol Silk n' Silver type sheitel, very short and tight? No, too stylish, too feminist, too controlling top exective. I decided on a shortish, dowdy brunette page-boy. Its message would be, "I'm a frum Bubby," which is what she very apparently was.

Who does she remind me of? At first, I thought it was one of the counselors of our bunk, in camp, once, who had curly hair like that, though of a much more mousy brown. The other counselor told her to stop drying it because it was almost Shabbos, but she retorted, "Don't worry about it. I know exactly how much time I have." Well, maybe she had known, but I'd been taken aback -- even shocked by her answer. The scene was imprinted on my memory, because of that -- the blow drying whirling through the wettish curls.

Wouldn't it be funny if this were she, and I were to say, "Hi, So-and-So! I'll bet you don't remember me from Camp Gefen!" Wouldn't she be surprised? Lots of times I see someone who reminds me of someone I once knew, only to remember that the someone-I-once-knew would be thirty years older now and not look like the young person before me, anymore. This wouldn't be that girl -- whose name I couldn't, in any case, remember. Even if she had moved to Eretz Yisroel, which was possible, she'd be closer to my age now. Besides, she'd had faded, not very intelligent blue eyes. Without even looking, I was sure that the lady next to me had sensible brown eyes. No, it was someone else that she reminded me of...

Just a moment after, a little girl, obviously the grandchild, climbed onto the seat opposite us, sliding quickly to the window seat facing me. She looked to be about seven years old, with a child's shiny hair, straight and dark, and cut in what used to be called a Buster Brown haircut, with very even bangs -- the kind of hairstyle that people used to joke that you end up with if you turn a bowl upside down on a child's head, and snip along the edges. When I saw how straight the little girl's hair was, I wondered even more about that curly wig. Maybe this lady had always felt a hankering for the curly hair she'd never had.

The little girl had big brown eyes, soft and bright, a fresh child's skin, red lips, a child's small white teeth -- none missing. She wasn't breathtakingly beautiful or outstanding in personality, not quiet and dreamy nor unusually lively; she was just an ordinary, sweet, reasonably pretty little girl -- the kind any Bubby would love to have and take on a bus. She wore an ordinary light blue cotton skirt, a plain light pink cotton blouse, and three or four brightly colored plastic bangles on her small right wrist. She was holding a little lime-green plastic bag with something lumpy in it. Hard candies?

"First, Bubby has to buy some fruit and vegetables for Shabbos, Moriah," the lady next to me said in American English. "Do you want to help me do that? Then we'll go home. Abba should be coming home from Kollel soon."

I was glad that the lady spoke English -- all the better to eavesdrop on, since I look more like a Yerushalmi lady than like someone who would know English. To lend support to this impression, I swiveled my head towards the window and stared studiously at the passing scene (surreptiously peeking at the reflection of the two on the inner glass pane), as if totally disinterested in a conversation that I couldn't understand. But I was already angry with her. Maybe I had been, even before she spoke. Her tone of voice was cautionary, as if she were very carefully explaining life, step-by-step, to Moriah - - as if to convey that if she didn't do that, Moriah (or, maybe, she, herself?) wouldn't be able to manage, because life was dangerous, threatening, complicated, overwhelming, hard. Without even looking, I sensed that her expression was joyless. Not stern, sour, or bitter, just humdrum, bland, matter-of-fact.

"Where's the joy in you?!" I wanted to shout accusingly. "Where are the enthusiasm and the fun? Why don't you convey that to the child, instead of fear? Oh, the words were right... but the tone! You probably want it to convey calm, stability, steadiness, solidity, safety and security, but I call it a lifeless monotone."

Still, when I talk to my grandchildren, in my Isn't This Fun? voice, maybe all I'm conveying is that life is so dangerous and scary that it can't be faced or dealt with, except by all of us pretending that we're having ourselves a grand old time. So maybe I envied her again, for not having to do that.

Of course, you never know. Any number of things could be going on in this woman's life -- because any number of things usually are going on in everybody's life. Maybe she's just preoccupied -- if with nothing else than Shabbos preparations. I wonder if Moriah is her son's child, or her daughter's, and if that makes any difference to her. I wonder if she sees the child as exhibiting some of her daughter-in- law's less admirable traits? I wonder why Moriah's with her Bubby, this erev Shabbos. Did her Ima just have a baby, is she expecting a baby, is she having a hard time with the three younger siblings, or what?

"At the next stop?" Moriah asked, happily squirming about on the bus seat that was too wide, too high for her, and giving my skirt a few inadvertant kicks in the process -- happy to be going on a bus ride with Bubby, I suppose; happy to be going home, or just happy to be. I wondered if Bubby would say, in appalled tones, "Moriah! You're kicking the lady's skirts! Be careful!" or perhaps, "Say you're sorry!" Then I'd smile graciously and wave away the idea that a few footprints on my skirt could faze a seasoned grandmother such as myself. But Bubby didn't say anything. Maybe she didn't notice or didn't care or didn't speak Hebrew or Yiddish very well or was too inhibited to talk to strangers. But my guess was that she wasn't compulsively apologetic, in which case I envied her, again.

"No, not the next stop. Bubby will tell you when."

Moriah, still squirming happily, opened her small bag. She took out some more colored plastic bangles and began to slip one onto her wrist.

"No, Moriah," Bubby said, not harshly and not gently -- just evenly, with not a trace of doubt evident in her voice as to whether she'd be obeyed. "We're not playing on the bus. A bus isn't a place to play. Put away the bracelets."

Moriah put away all the bracelets, not looking at all upset. I, on the other hand, was fuming. Aw, c'mon, lady! Why don't you let the kid play? What's wrong with a seven-year- old having fun? And why isn't a bus a place to play in? She's not bothering anybody!

A few moments later, Moriah reached into her lumpy litle bag again. This time, she took out a hairbrush, and raised it to her hair.

"Bubby doesn't let," Bubby said. "We don't brush our hair on a bus."

Well... I suppose maybe not, I grudgingly conceded in the courtroom of my mind, though a rebellious dissenting voice catcalled from the jury box, "Why ever not? Where's the harm? Let the poor kid brush her hair in peace!" The voice seemed to belong to a shaggy-haired Angry Young Man, or maybe he was a poet, in a black sweatshirt. But another member of the jury -- a woman in a smartly tailored navy-blue suit like the kind that Margaret Thatcher used to wear, objected, "But that's chinuch! That's only proper training. Because you never were any good at it, you have to be jealous of her?"

True. I remember how I'd been on bus rides when my children were young. As long as they weren't bothering anyone -- stepping on toes, being too wild or noisy, or doing something dangerous -- I hardly even noticed what they did.

Moriah's spirits, however, seemed nothing dimmed. She put the brush back into the bag.

"That's right," Bubby told her with warm approval. "You're a good girl!"

"Lady!" I felt like screaming, "Who asked you for your opinion? Who needs your praise? Keep your `honey' and keep your `sting'! Of course, she's good. She was born good, and so were you and so was I, and so is everyone. Your stamp of approval is absolutely uncalled for."

With a sudden movement, and still with that same unwavering sweet smile, Moriah thrust out her bag of treasures, with both arms, to her Bubby.

"Oh, no!" I screamed silently, in horror. "Oh, no Moriah! Oh, no, sweetheart, don't do that!" Invisible tears slid down my cheeks. "You don't have to..."

I felt as if I were witnessing a historical moment, the turning point, the very Moment of Selling Out, of self- betrayal, the selling of one's true self for love and approval, the trade off of one's own truth for someone else's. Moriah wouldn't remember this moment or realize its significance. But I would.

Matter-of-factly, without comment, Bubby took the bag. After a few minutes, she said, "Here's our stop, Moriah. Be careful not to step on anyone's feet when you get off."

They got off at the next stop. I saw them -- grandmother and granddaughter -- making their way towards the grocery store. The bus moved on.

What do you want from them? Would you have preferred the kid to kick her Bubby in the shins? To shrug and brush her hair defiantly? She did just what you would have done - - just what you did do.

You're right. The kid I love.

And the Bubby? What do you want from her? Her voice is her mother's voice and her mother's mother's voice, and...

Yes. I know..

Still, it's a voice I will no longer use -- not with my `Moriahs,' not with myself.

 

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