Dei'ah veDibur - Information & Insight
  

A Window into the Chareidi World

1 Adar 5762 - February 13, 2002 | Mordecai Plaut, director Published Weekly
NEWS

OPINION
& COMMENT

OBSERVATIONS

HOME
& FAMILY

IN-DEPTH
FEATURES

VAAD HORABBONIM HAOLAMI LEINYONEI GIYUR

TOPICS IN THE NEWS

HOMEPAGE

 

Produced and housed by
Shema Yisrael Torah Network
Shema Yisrael Torah Network

 

 

 

 

 

 

 

 

 

 

Home and Family
BOOK REVIEW
I Remembered in the Night Your Name --
About Finding Our Way Back... To Places We've Never Been

by Varda Branfman

Published and Distributed by Carob Tree Press, 154 pages

First: a word about the title, taken from Tehillim, with which you have become familiarized from past Yated submissions by Varda Branfman. She thanks your editor for having pushed her to put together her [wonderful] writings in permanent book form and we thank her for having allowed us a few precious previews over the past years, primarily poems like: "Cave Dwelling," "Bread", and prose: "Here in Geula" and "The Voice of Tehillim." You will surely wish to read those again, pass them on to others, and savor the rest of the spiritually exotic flavor of her writings.

Second: a word about the publisher: Carob Tree Press. The book flap tells us about the cave where R' Shimon Bar Yochai spent fourteen years of study which led to his writing the Zohar, sustained by a natural fountain and a carob tree. To this very day, at the entrance of the cave stands that ancient carob tree producing sweet carobs as of yore!

Carob Tree Press is committed to publishing inspirational books that express the profound beauty and depth of the Jewish experience. These are books about the path of Torah, and they provide a taste of the spiritual sustenance found in authentic Jewish traditon and observance. (POB 57254, Jerusalem)

Third: about Varda. Varda Branfman's essays and poems are essentially songs that celebrate her wonder-of-the- world and thankfulness at finding the (Jewish) answer to her questions about life, in big and small ways.

*

A sojourn in a Garden of Eden, not imaginary, but a utopia on earth that has everything that nature can provide in beauty -- but is missing meaning in life. Arriving at disillusion with this perfect setting where Varda, a post-graduate, works and lives as close to nature as possible, sends her off to seek her soul.

That's how this book begins, and goes on to transport us through a soul journey of exhilirating vistas, a subtle roller coaster ride of emotions, ideas, sensations that are stronger than vicarious through essays and poems.

Light, dance, even something as mundane as bread enter a fifth dimension beyond the four we already know. I read this book over Shabbos and was panting to put my reactions down on paper. This review might have had much greater impact written right away -- but I guess that is part of the magic of this book; it is illusive, titillating, defies thumbnail description. It IS paradisical.

How could I describe that sensation we all share at some time or other in dreams, of being able to fly?

Varda Branfman captures it: of all places, in a piece involving people in an old age home -- with the central character an old woman confined to a wheelchair! Not only for her, but for us.

And again, a soaring of the soul that sweeps the down- to- earth up with it, when she describes her urge to dance, freedance, as an outpouring expression of the beauty in her soul and her love for Hashem. She does it, on an empty beach at night -- and I can't begin to describe how she succeeds in encapsulating and packaging a wide range of emotions, pure love for Hashem, whose impact and aura linger on in the soul long after one has put this book down.

Way back, I became acquainted with Varda's works through various anthologies, as well as from her captivating book on chessed, The Hidden World, which I had the privilege to review in these pages of Yated Ne'eman. When Varda began sending me material, I begged the editor to expand our section, and have been happily serving up Branfman bread ever since.

Need I say more? Read and beg for doubles.

A tempting excerpt, an ode to mundane morning techeiles- blues with a fifth dimension of depth and beauty:

Morning Song

Hang up the wet to dry
but don't sew on a button
one thing will lead to another
and you'll find yourself mending
everything in the house

Assuage your thirst
but ignore the hunger pains till later
watch the clock
and wake the children
pour the water for their hands

Do what you can to ease
arms into sweaters
sandwiches into side pouches
soft, wet eyes
into clear openings

Make little of the lost bus card
the lonely shoe
the phantom notebook
but find them
by whispering segulahs
and dropping coins in the pushkes

Arouse hope
kiss away shadows
turn the cheek
to their heartfelt revenges
watch the storm subside

Give them real food
and don't panic at the last minute
if the sky suddenly erupts
in clouds
embrace the unexpected

Allow yourself to look each one
straight in the eye
when you say "goodbye"
believe, yourself, that help will come
from Heaven

Then sit, do nothing
drink silence.

[and, afterwards, go out and buy this beautiful little book.]

 

All material on this site is copyrighted and its use is restricted.
Click here for conditions of use.